اضحى التنائي بديلا عن تدانينا شرح

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Al-Tana’i has become a substitute for our condemnation

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“Al-Tana’i has become a substitute for our condemnation.”

The general idea: the poet’s loyalty to his birth.

In these verses, the poet almost melts away in grief and pain over the separation of his beloved Walad ibn al-Mustakfi, and yearns for her and for the pure and pleasant times that he had with her. In the shadow of this burning passion, he created this vibrant poem translated from what is in his chest of amazing love and loyalty. The first idea: a description of the painful present, and pain over the beautiful past, and expresses all this through verses dripping with loyalty, love and steadfastness.

1. Al-Tana’i has become a substitute for our judgment *** and a representative of the goodness of our meeting

Here, the poet begins his poem with grief and bemoaning what his situation has become, as it has changed from the closeness between him and his beloved to a distance and distance that increases with the days. Closeness has turned into a dimension and the meeting has become a stubbornness, which is something that makes him hard and tortures him, as we find that the poet used many words to express the extent and length of distance and the strength of longing, as he used words with elongated letters in which the breath extends to express his pain and we find this in all the words of the first house. He says that the painful separation between him and his beloved has become the prevalent after the closeness that was and the place of meeting and connection, estrangement and abandonment.

2. ّلاّ وققد حانَ ََََََََََََََََُُُُُُُُُُُُُُُُُُُ *** *** *** *** *** *** *** *** *** *** *** *** *** *** *** ***.

A continuation of the idea that dominates this group of verses, through which the poet talks about the extent of the burn and pain that they inflicted on him in death, until he was about to perish. Perhaps the poet has succeeded in employing the words that express his sad experience, whenever he uses words that support that sincere experience, such as: between and now. There are paradoxes between the two words. Subh is a symbol of optimism and hope, which, according to our poet, has become the equivalent of mortality and death.

3. Who is the sum of our clothes, by pulling them out *** with grief, with time it does not wear out and we are afflicted

4. The time that still made us laugh *** the people near them have returned to weeping.

Undoubtedly, the indirect expression of the poetic experience increases it luster and brilliance, so we see the poet in the previous house employing the question for something other than what was actually set for him. to inform those who put on this garment; The dress of permanent, renewed sadness and stay away from him (here he means the slanderers who separated him from his beloved) that this sadness is inherent in him and does not leave him until he perishes, and that his laughter has turned into permanent crying, and that the previous beautiful time that filled our lives with forgetfulness, joy, and pleasure.. He has transformed, and he has changed.. Today he weeps and grieves us, as if we are in him and weakness has reached him to the point that those who are afflicted are begging to live up to his condition and the condition of his beloved and to leave them alone.

5- The enemy was enraged by our passion, so they prayed that we should drown, so eternity said: Amen

The poet continues to send his messages to his beloved and to his listeners.. He says: that his misfortune has enraged him and his beloved for their serenity, friendliness, and love, and that eternity has responded to their supplication and achieved what they wanted from the rift between them, so grief and pain struck them.

6- So what was bound to ourselves was dissolved *** and what was bound by our hands sprouted up 7- And we may be, and we are not feared to be separated ***, and today we are both

It is clear that there is a correlation between the sixth house and the fifth house, so that the sixth house became a natural result of the intrigue of hostility and the afflicted by the harmony, serenity, and affection of the two lovers. And what was the harmony and agreement between us, as none of us had ever thought that this sad day would come, when we are separated, after which there is no hope for a meeting or connection.

8- I wish my hair had not been blamed by you *** Did it get a chance of being blamed it brought us back

9- We did not believe after you except that we be fulfilled to you *** an opinion, and we did not assume a debt other than that.

And in the tone of the broken lover.. and the loyal lover, who hides the heartbreak in his heart, addresses the poet, rather he reproaches, using the method of appeal and omitting the herald, because he is known and known, and does not need to be defined.. So did the enemy obtain satisfaction, as we received from abandonment?!, How is that done?!! We are the loyal, and we are the sincere despite this distance, no one can fill this void in my heart but you.

10- It is not our right that you should delight the envious eye of us, nor that you should be pleased with us.

11- Kona Nerie Alyssa Tisselina Uwarzaza *** وققدْ يَـئِـسْـنَا فَمَا لألأسِ يُغْرِينَ

Our poet still lives under the influence of chaste and light admonition. How can a poet like Ibn Zaydun be cruel to his beloved, despite the rejection and abandonment.. He never felt that he had committed a crime that deserved all this torment, and this distance, so the envious would be approached, his eyes would be approved, and the affairs would be eased. Hateful, and gloat them!! And the matter reached such an extent that despair became his consolation, until despair became deep in his heart.

12- Your daughter and our son, our wings were never wet *** with longing for you, nor did our stomachs dry out

Here, the poet expresses his loyalty and devotion to a birth that his pain and affliction transmit, as you have moved away from us and we have moved away from you. , and its side on the side of the nose) Our eyes shed tears from continuing to cry because he is deprived and longing, so there is nothing less than that he relieves his worries by crying and comforts himself with tears.

13- When our consciences call out to you, we would almost die of grief if it wasn’t for our grief.

The poet continues describing the dark and sad picture, saying: The longing for you almost kills our lives, were it not for patience, amusement, and hope for the meeting, when the memory brings him back to the old days, so he imagines beauty, sedition, love, joy, hope and happiness, and his conscience chant her name, and he calls her in the distance, because she is the consort of his soul. And Sanu himself, when he lives the dimensions of the sweet and painful experience, and balances between what he was and what he has become, his soul draws near to leave his body because of the excessive sadness that fills his wings, were it not for him to give himself hope, and comfort his soul from the ordeal with patience.

14- It happened that we lost you our days, so they turned black *** and you were white for our nights

In detail about the embodiment of the poet’s suffering, he says: The meek, peaceful, beautiful life has changed, and the bright, smiling, bright world has become darkened, so blackness becomes darker and darker after birth.

15- For the side of life is free from our harmony, and the square of the amusement is pure from our friendship

The interrelationship between the verses seems clear, and that is only because some of them have followed each other, and some of them complement each other and have implications for the meaning. He says that our past life was divorced (bright) because of the intensity of our intimacy and the strength of interdependence, where the fun, and the bliss between them, does not disturb this meek atmosphere with sadness, nor worry, nor discord, nor disagreement, and that is why it is pure as a sweet and beautiful resource, The severity of Alttasafi, and the absence of affection, which disturbed.

16- And when we broke up the arts of connection, Dania *** plucking it, so we reaped from it what we wanted

To complement the beautiful and mesmerizing memories panel, the poet evokes those wonderful scenes that he lived with with his birth: we used to woo the various types of wydad, love, and wesal, and pick from them what we wanted. Varieties of Wasl, Love, and Wedad with proximal grapes harvested, or the proximal fruits of the picking that are at hand, from which one eats what he wants, and whenever he wants, and I do not think of it except a beautiful picture inspired by the beauty of the glamorous Andalusian nature

17- Let your covenant be filled with a covenant of joy

The poet floats in a world of imagination, and a group of sweet memory roams around it, and he prays for a covenant of loyalty between them with life, renewal, and growth… because he lived in it and his soul was described by it, and he received from his beloved the sparks of hope and love of life.. and it is a prayer that reveals nostalgia for the past covenant. And about the beauty of memory, and if parting changes the lovers, and makes them forget the grains of their hearts, the poet will not be able to forget his passion, but the distance increases him in loyalty and sincerity.

18- Do not think that one of you will change us *** that as long as the distance of our lovers changes!

And in an attempt by the poet to appease his beloved, and to elicit her sympathy, he paints for himself a perfect and luminous picture, for he is of a kind that is not like that of the rest of the lovers, whom distance changes them, despite what happened between them, but he still maintains the cords of friendship and connection.

19-By God, our souls did not ask for you instead of ****, nor did our wishes depart from you

And in addition to the love of connection, the poet began to send messages of reassurance to his beloved, as he swears to her by God that his heart will not relate to anyone else and his wishes have not turned from her love. our souls), despite the differences between them of spirits and desires.

20th

21- O breeze of youth, reach our greeting

Undoubtedly, the poet here wants to involve the elements of the environment or nature in the mediation between him and his birth on the one hand, and on the other hand, as he used them to carry with him his heavy burdens, so perhaps she would stand by him, and relieve him of his pain in his loneliness and alienation that he suffers from, and standing Next to him, and in a true manifestation of friendliness, loyalty, and sincerity, the poet began to water the rain in kindness and hope, and asked him to irrigate the palace of his beloved early with fresh, clear rain water, because she often watered it pure and pure from deception and falsehood, and the poet is not satisfied with rain.. Rather, he would go to the breeze of youth to convey his greetings to his beloved, who, if she were to return the greeting to him, would give him life and give him hope.

22- And ask there: Does remembrance of us mean an alpha, whose remembrance has become our meaning

And to complement the scene of longing and nostalgia, the poet carries the manifestations of nature (the breeze of youth) honestly asking and investigating inside the palace, whether his distance from them left any trace on his beloved or not?! Then he hastens to express his chest, his sensitive feelings, and his tender feelings.. which reminding him of her will cause him insomnia, suffering, and pain. Perhaps the poet’s reliance on the manifestations of nature suggests the uselessness or futility of the interactions between him and her, which forced him to resort to other mediations, through which he unloads the charges of his intense emotions, perhaps calming him and calming him from the sting of his love.

reviews

First: Language:

A good poet is the one who can overcome, through his words, suggestive and indirect structures, the shortcomings of the language, and its rigidity in its ordinary and lexical structures, by exploiting the potentials inherent in it, and charging his language with pictures and music, as the role of language is not limited to being a medium It is a means of expression only, but it contains a unique aesthetic characteristic, and a superior ability to evoke the feelings and feelings of readers, and transfer them to new atmospheres and psychological worlds.. and that is what is known as music resulting from the harmony and synergy of words and structures and through the poet’s ability and his ability to present techniques delay, remembrance, omission, and employing different methods of questioning, exclamation, wishing, commanding… and other methods that the poet takes out of its real, direct state, to other metaphorical meanings that increase language brilliance, radiance, and suggestiveness, and we have stood on a large part Through these graphic images, and the different methods that we shed some light on in this study.

Transported

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